Publications

Michael Chekhov’s Acting Technique: A Practitioner’s Guide (2019).

‘Feeling Space, Making Space: Michael Chekhov and Theatre Design’ in Michael Chekhov in the Twenty-First Century: New Pathways (2020).

‘Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form’. (Michael Chekhov’s Acting Theory: Heritage and Inspiration, 2019).

‘Drama Schools Versus University Courses’ (31 March 2021).

‘AntigoneNOW: Mourning and Connection Across 4 Time Zones’ with Margaret Laurena Kemp (11 March 2021).

‘Unity over Unison: Creating AntigoneNOW in Lockdown’ with Margaret Laurena Kemp, Roger Ellis, Dassia N.Posner (2021).

‘Diary of A Rehearsal Process: Rehearsing Diary of a Madman from the Michael Chekhov perspective’ (2013).

‘To Be or Not to Be: Art on the Frontline’ Macau, China (August 2021).

An interview with Fiona Shaw
Strasbourg (2009).

‘A Feeling of Form: Directing Concert from the Michael Chekhov perspective: A Conversation between Sinéad Rushe and Tom Cornford’ (2020).

‘The MCCUK Past, Present and Future: Interviews with Graham Dixon, Sarah Kane and Martin Sharp, conducted and edited by Tom Cornford, Cass Fleming and Sinéad Rushe’ (2013).

‘AntigoneNOW: how the current climate has revolutionised theatre collaborations’, an interview with Sinéad Rushe and Margaret Laurena Kemp by Natasha Stone (16 October, 2020).