An introduction to Michael Chekhov technique
Saturday 2 March 2019, 10-5pm
5a Bloomsbury Square, London WC1A 2TA.
0207 269 9770
Sinéad will teach a one day workshop on the practical ideas and principles at the heart of the Michael Chekhov technique at Pushkin House, London.
For more information and booking click here.
Feeling Space, Making Space
Michael Chekhov and Theatre Design
13 February 2019, 7-8.30pm
5a Bloomsbury Square, London 2TA WC1A .
0207 269 9770
Sinéad will give a talk on Michael Chekhov’s ideas on theatre design and scenography. She will present a slideshow of Chekhov’s own unpublished character drawings and sketches from the Dartington Hall Michael Chekhov Theatre Studio archives.
concert on tour
Concert will tour to the Performing Arts Festival in Groningen, Holland from 24-26 August 2018, the Tramway, Glasgow from 10-12 October 2018 and Dance Umbrella, London at The Pit, Barbican from 17-20 October 2018.
Polyphonic Characterisation workshop
Sinéad is teaching a workshop on polyphonic characterisation and Shakespeare for Living Pictures on Monday 23 July 2018. It is part of their summer retreat series on Coed Dylan in Wales, and the participants are students from the University of North Carolina Greensboro, USA.
Read more here.
24-30 June 2018
Sinéad will return to Bangkok, Thailand to deliver a week long workshop on the Michael Chekhov technique for Arts on Location. This workshop will explore specifically how to activate a play using this approach, and will be suitable for directors, actors and teachers. We will work on Arthur Miller’s The Crucible.
Photo by John Ordonia for AoL.
Night Just Before the Forests
Macau Arts Festival 2018
Sinéad will direct a production of Night Just Before the Forests (La nuit juste avant les forêts) by Bernard-Marie Koltès for Dirks Theatre Arts Association at the Macau Arts Festival from 18-20 May 2018.
Sinéad has written a new translation into English and she will collaborate with sound designer Niels Lanz (formerly of William Forsythe Company).
Bernard-Marie Koltès (1948-1989) was the greatest French playwright of his generation, and Night is one of his most captivating and unsettling texts. The story of an isolated young immigrant in a hostile city, Koltès said he wrote it like a musical composition, whose motifs and variations evoke a profound sense of restless yearning and disorientation. This pathbreaking production in a new translation reimagines the original monologue as a polyphonic work for five performers of different nationalities and genders, a chorus of fragmented parts that resonate with each other in harmony and dissonance.
Read an interview with HojeMacau newspaper here and a radio broadcast with Dirks Theatre here (episode 234).
Q+A with Niels Lanz, sound designer (Ballett Frankfurt & The Forsythe Company)
Chaired by Sinéad Rushe
Wednesday 31 January, 2018: 6.30pm
The Boardroom, Central School of Speech and Drama, London.
This is an opportunity to discuss the work and process of sound designer, Niels Lanz, who worked as sound and video designer for The Forsythe Company for twenty-five years, winning a New York Bessie Award for his ground-breaking composition on Three Atmospheric Studies. Prior to this, he worked in the sound department of Ballett Frankfurt as a company member, collaborating with William Forsythe on several productions, including Eidos:Telos, Endless House, Kammer/Kammer and Decreation. He has also created electronic music for dance, including David Dawson’s The Grey Area and 00:00 for Dutch National Ballet. Since 2012, he has worked as a freelance sound designer and is collaborating currently with Sinéad Rushe and BA Acting (Collaborative and Devised Theatre) and BA Theatre Practice students at Royal Central on a new polyphonic, sound-based production of Bernard-Marie Koltès’s Night Just Before the Forests.
Sinead will direct a production of Bernard-Marie Koltès’s play, Night Just Before the Forests, at the Webber Douglas Studio, at Royal Central School of Speech and Drama, London, from 28 February to 3 March 2018.
She has written a new translation into English, by kind permission of the Koltès estate. She is collaborating with sound designer, Niels Lanz, long-time collaborator with William Forsythe to turn the play into a polyphonic work for five performers.
To book: email@example.com
Concert, a new dance theatre production directed by Sinéad,
performed by Colin Dunne and sound designed by Mel Mercier is the
recipient of Gradam Comharcheoil TG4 2018 Award for Musical
Collaboration. The televised gala concert and award ceremony will take
place in The Waterfront, Belfast on Sunday, 4th February 2018.
This is the twenty first year of Gradam Ceoil TG4 in Ireland, awards
that celebrate and give due recognition to the recordings, broadcasts,
live performances of the recipients and all that embellish Irish
traditional music and song.
An independent selection committee of seven members nominate awards in
six categories: Gradam Ceoil TG4, Ceoltóir Óg TG4, Amhránaí TG4,
Comharcheol /Cumadóireacht TG4, Gradam Saoil TG4 and Gradam Comaoine
Concert premiered at the Centre National de la Danse in Paris and the
Dublin Dance Festival in May 2017. It will tour internationally in 2018/9.
Sinéad will teach an eight day workshop to actors and directors in Bangkok, Thailand, from 19-26 November, 2017. The workshop will be an introduction to the Michael Chekhov technique and is part of the Arts on Location International Programme at Srinakarinwirot University (Prasarnmit).
Click here for more info.